Larry Bell | Pioneer in Art, Light & Space


Last winter as the Whitney Biennial got under way sculptor Larry Bell found the museum’s fifth floor deck a fine place for his large-scale piece, “Pacific Red”. The series of six massive glass red cubes with smaller cubes inside was visible from his room at the nearby Standard Hotel where he stayed during the installation last March. Even better, “Pacific Red” was visible from the Empire State Building.

“The original installation was brutally difficult because of the winds and the cold. But we got it up,” Bell recalls those winter days, sitting back behind his desk in his Venice studio. “Each of these parts weigh 350 pounds, and to be carrying a sheet of glass, 6 by 8, in a 45 mile-per-hour wind and 30 degrees is dangerous, to say the least.”

He credited his crew for the accident-free installation, particularly the foresight of leveling floor panels, making the surface perfectly flat. A different perspective came from staring at it from his hotel window. “I think it’s probably nicest around noon, when the sun is real high,” he shrugs, though he has only seen it in winter and plans a return trip in the spring or summer. 

READ the complete story about Larry Bell in the November issue of The Connector.


Jordan Riefe

Jordan Riefe is an LA-based journalist who writes about arts & culture. 

Comments Join The Discussion

Articles You May also Like

#PressOn #TrueEnergy #FreePress

In the October, we explore less quantifiable forms of energy—the energy it takes to run a business or run your body in a way that produces maximum power. Our contributors have an interesting view of the world, so we have little on energy resources and more stories about the energy generated by people.