Art is in the eye of the beholder and the passion thereof time and limitless. The same can be said about Brad Twaddle’s immeasurable energy and passion for Dancing and the Arts.
Whenever I traveled to New York, I visited Sue at the Museum, making up for the time lost between us. We both marveled that we had escaped a blue collar fate. Other Yonkers girls took service jobs as health care workers or waitressing, a few taught in public schools. There wasn’t anything intrinsically wrong with these jobs, except they were so Yonkas.
My mother told me I had a way with words. She was proud of my poetry and stories, and said I was a natural born writer. I was flattered but I didn’t entirely believe her. She was a high school dropout and suffered from schizophrenia. I’m not sure if schizophrenia caused her to drop out of high school at sixteen. She often heard voices telling her to do things.
There are many other cultural gems to be discovered in Arkansas, and a good argument can be made that one of the most dazzling that can be seen right now is at the Historic Arkansas Museum in downtown Little Rock. That’s where a posthumous exhibit of the artworks of Little Rock native son Dwight “Kuimeaux” Drennan is on display.
New Deal Murals by Ben Shahn, Philip Guston, and Seymour Fogel are located in the Wilbur J. Cohen Federal Building in Washington, D.C. The art cannot be viewed by the public. The Cohen Building is closed. The Cohen Building and other older federal buildings are slated for sale and eventual demolition. They might destroy the murals, but they cannot erase our collective consciousness, what we remember and pass down to our children. #wilburjcohenbuilding#philipguston#benshahn